Next we came to a house of coolness, with great sweeping veranda, where lotus-eaters might dwell. Windows and doors were wide open to the breeze, and the songs and fragrances blew lazily in and out. The walls were hung with tapa-cloths. Couches with grass-woven covers invited everywhere, and there was a grand piano, that played, I was sure, nothing more exciting than lullabies. Servants—Japanese maids in native costume—drifted around and about, noiselessly, like butterflies. Everything was preternaturally cool. Here was no blazing down of a tropic sun upon an unshrinking sea. It was too good to be true. But it was not real. It was a dream-dwelling. I knew, for I turned suddenly and caught the grand piano cavorting in a spacious corner of the room. I did not say anything, for just then we were being received by a gracious woman, a beautiful Madonna, clad in flowing white and shod with sandals, who greeted us as though she had known us always. I could go on at great length relating the various virtues and excellences of the Snark, but I refrain. I have bragged enough as it is, and I have bragged to a purpose, as will be seen before my tale is ended. And please remember its title, “The Inconceivable and Monstrous.” It was planned that the Snark should sail on October 1, 1906. That she did not so sail was inconceivable and monstrous. There was no valid reason for not sailing except that she was not ready to sail, and there was no conceivable reason why she was not ready. She was promised on November first, on November fifteenth, on December first; and yet she was never ready. On December first Charmian and I left the sweet, clean Sonoma country and came down to live in the stifling city—but not for long, oh, no, only for two weeks, for we would sail on December fifteenth. And I guess we ought to know, for Roscoe said so, and it was on his advice that we came to the city to stay two weeks. Alas, the two weeks went by, four weeks went by, six weeks went by, eight weeks went by, and we were farther away from sailing than ever. Explain it? Who?—me? I can’t. It is the one thing in all my life that I have backed down on. There is no explaining it; if there were, I’d do it. I, who am an artisan of speech, confess my inability to explain why the Snark was not ready. As I have said, and as I must repeat, it was inconceivable and monstrous.!

“Think,” I would say to Charmian, “of a gale off the China coast, and of the Snark hove to, that splendid bow of hers driving into the storm. Not a drop will come over that bow. She’ll be as dry as a feather, and we’ll be all below playing whist while the gale howls.” She found it hard, however, to think of the latter as a person, for was it not a bird, a flame, and sometimes only a breath? Perhaps it is its light that at night hovers over swamps, its breath that propels the clouds, its voice that renders church-bells harmonious. And Felicite worshipped devoutly, while enjoying the coolness and the stillness of the church.

He arrived in his Sunday clothes, very ill at ease among the funereal surroundings. “To-morrow,” Ford said, “I am going to take you out into the blue water.” And yet, at the moment of writing this, Charmian is in her state-room at the typewriter, Martin is cooking dinner, Tochigi is setting the table, Roscoe and Bert are caulking the deck, and the Snark is steering herself some five knots an hour in a rattling good sea—and the Snark is not padded, either.